WHAT HAS BEEN THE BIGGEST LESSON YOU’VE LEARNED ABOUT THE ART OF ACTING?
I had the good fortune to work with seasoned actor Wan Hanafi Su when I was only 14 years old, and I learned some valuable lessons from
that experience. I had never taken acting lessons before, so everything I knew I learned on set—I would sit in front of the monitor and observe what the other actor was doing. So one day, I asked him about acting, and he told
me that it’s all about honesty. You need to portray whatever it is that you and the character feel in that particular moment. Your job is to basically deliver that feeling, so you need to be honest with yourself.
WHAT’S THE REALITY OF THE INDUSTRY THAT YOU THINK MANY PEOPLE OVERLOOK?
That
it is a tough business. I have seen so many aspiring actors giving up on the industry halfway through. None of my Tentang Bulan castmates, for example, made it. I’m the only one who stuck to my guns. It is not an easy
path. You need passion to go the distance. Maybe for them, acting was just a hobby, but I see it as a career. I can’t do anything else. And the work never stops. Even today, I still believe there are many things that I need
and want to learn.
HOW MUCH DOES TIMING FACTOR INTO YOUR PROCESS AS AN ACTOR?
Acting is all about timing. That is why you have rehearsals. Granted, you don’t get as much rehearsal time for television
productions due to the tight shooting schedules, which is why sometimes you get a sparring partner that you have no chemistry with. But it is crucial in filmmaking. You have to know what your screen partner is like. You need
to be in sync with each other; the tempo needs to be right. The emotions, the line delivery, the physical movements… It’s all about timing. If you don’t hit that sweet spot, it will feel off.
WHAT HAS BEEN THE MOST CHALLENGING SCENE YOU HAD TO FILM?
It
has to be the one from War on Terror: KL Anarchy. There’s one scene where I had to jump from the twelfth to the seventh floor. I did more than 12 jumps on the first day, thinking that we had gotten the shots, only
to realise that we had missed some the next day. So I had to go back and hang off the edge of the building, suspended high above the ground with nothing beneath me, just to capture this shot of my hand holding the rope. It
took around 10 hours to shoot. Sure, I could’ve let the stunt team do it, but I wanted to do it myself. It is more satisfying that way.